Tag Archives: theater for young audiences

We Watch, Too: A Parents’ Roundtable on Theater for Kids

In my first entry of this Theater for Young Audiences (TYA) series, I said I didn’t want to make assumptions on what people think or want from children’s theater. I know most of my desires for pushing the conventions of TYA come from my own childhood and from my new experiences of introducing a small human to the theater. But I was left wondering: How do other parents feel? I interviewed four mothers to see how, and if, their experiences aligned with mine.

I spoke with a mother of three who chose to remain anonymous. I’ll refer to her as Jane in this article. Her children are two, five and eight. Aubrie Canfield has a three-year-old and 10-month-old. Shellie Gauthier has a three-year-old, 13-year-old twins and a 15-year-old. Enci Box has a two-year-old and five-year-old.

Read more at The Clyde Fitch Report. 

 

Why TYA Should Join the Dark Side (of Fairy Tales)

Let’s delve into a pretty common denominator in the world of theater for young audiences (TYA): fairy tales. There is no end to internet lists “revealing” or “discovering” the dark origins of fairy tales, yet it is so surprising that, once upon a time, we actually told children scary stories? Shocking!

Many of the original versions of fairy tales were told to help children and adults confront the very real dangers of their times. Hansel and Gretel is an excellent example and very likely the most well known: it’s famine and hunger that motivate the mother or stepmother (depending on the version) to convince her husband to abandon his children in the woods. Most stage productions hide that part of the tale. It is fear of the darkness inherent in the stories that can cause playwrights to move too far in the other, more saccharine direction, leading to meaningless takes on fairy tales that now feel like the norm. When we remove fear from a fairy tale — or any story — we remove its connection to our lives, and that dumbing down affects theater audiences for a lifetime. Without true connections to our own feelings, fears and joys, why bother attending?

Read more at The Clyde Fitch Report

Read Part 1: Why do Theaters Dumb Down TYA (Theater for Young Audiences)?

Caleb Foote and Angela Giarratana in “Hansel & Gretel Bluegrass” (Photo: Cooper Bates)

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